sun0fagun:

The Psychology of Cinematography:ย 

Wes Anderson, David Fincher, Darren Aronofsky, Quentin Tarantinoย & Stanley Kubrick

These are all shots where the emphasis is on the entirety of the shot as a whole and provides a much more distant kind of view, allowing the goings on to register as it is instead of having a specific cinematic mood attached.ย 

Iโ€™ve never heard anyone say not to try for symmetry in your shots, but I was told to be aware of the psychological effect it has on audiences. This little reel is a prime example of how off-putting symmetry can be in motion picture photography. Even in the ones in which there is no immediate danger or horror present. You feel like thereโ€™s something wrong in every one of these shots. You canโ€™t put your finger on it, but you know things arenโ€™t quite right. The psychology of symmetry is used whenever a filmmaker wants to put an audience at unease. Which, as you can see, was often.

This concept can be applied to many other concepts and styles ofย cinematographyย such as ย Look down, look up, Hiphop cuts, mood lighting etc.ย 

These are some of my favorite examples cinematography put in a gif set.ย 

(Source: discosbeforethebreakdown)

19,445 notes

๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜

๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜

(Source: prowrestlingnow)

150 notes

My edit for my Samoan Prince!!! ๐Ÿ˜ he killed Seth Rollins!!! ๐Ÿ’ช๐Ÿ‘Š 3 weeks until RAW in Brooklyn!!! ๐Ÿ˜

My edit for my Samoan Prince!!! ๐Ÿ˜ he killed Seth Rollins!!! ๐Ÿ’ช๐Ÿ‘Š 3 weeks until RAW in Brooklyn!!! ๐Ÿ˜

2 notes